From: Subject: The Bard in South Africa Date: Mon, 18 Dec 2006 21:53:55 -0600 MIME-Version: 1.0 Content-Type: multipart/related; type="text/html"; boundary="----=_NextPart_000_0000_01C722EF.035B4630" X-MimeOLE: Produced By Microsoft MimeOLE V6.00.2900.3028 This is a multi-part message in MIME format. ------=_NextPart_000_0000_01C722EF.035B4630 Content-Type: text/html; charset="Windows-1252" Content-Transfer-Encoding: quoted-printable Content-Location: http://web.grinnell.edu/sandb/archives/volume_119/number_20/arts/2.html The Bard in South Africa

3D"The

Volume = 119,=20 Number 20 | March 7, 2003=20

The Bard in South Africa

by Leslie Boyadjian

Staff Writer

An adapted version of Shakespeare=92s Measure for Measure performs = this=20 weekend and portrays the racial tensions present during the apartheid = regime=20

A play by William Shakespeare. Considered a surefire classic every = time. But=20 why, exactly? Is it the five-act progression of events? The iambic = pentameter?=20 Pun-filled comedic banter between characters?=20

=93One of the things that makes a play a classic is its ability to = stay=20 relevant,=94 said Chris Connelly, theater. This weekend, Shakespeare=92s = play=20 Measure for Measure will be performed in Roberts Theater.=20

Through the use of unique sets, music, costuming, and modern social = issues,=20 Connelly and his cast use the stage to portray the relevance of = Shakespeare=92s=20 words. They use the show not merely to entertain, but to make audience = members=20 challenge and ask questions of themselves.=20

A (very brief) summary=20

Simply put, the play is about a man named Claudio who faces a death = sentence=20 after breaking a law that forbids one to have sex outside of marriage. = His=20 sister, Isabel, is told by Lord Angelo that if she will sleep with him, = thus=20 sacrificing her greatest possession as a nun=97her chastity and = commitment to=20 God=97he will let her brother go free. Angelo is conflicted over his = love for=20 Isabel and his moral and legal constraints under the law. The play = illustrates,=20 among other things, their struggles.=20

Grinnell=92s unique twist

A major difference between the original Shakespeare play and the one = being=20 performed in Roberts Theater this weekend lies in the setting. While=20 Shakespeare=92s original version is set in 17th century Italy, the = Grinnell=20 version is set in apartheid South Africa.=20

Cast member Inga Jacobs =9204, who plays Isabel, grew up in Capetown, = South=20 Africa under the apartheid regime and was able to bring that experience = to the=20 play.=20

=93Having these experiences definitely helps me with bringing a new = reality to.=20 . .the production,=94 she said. =93I think for most of the other cast = members. .=20 .white American or African-American, it=92s pretty difficult for them to = actually=20 rationalize this or visualize the effects of what apartheid did because = it=92s=20 such a ludicrous regime.=94=20

There existed a law in apartheid South Africa called the Immorality = Act that=20 forbade sexual relations between people of different races. This law is=20 integrated into the adapted version of Measure for Measure in place of = the law=20 in the original version, which forbade sexual activity outside of = marriage. In=20 Grinnell=92s version, racial conflicts are emphasized.=20

=93In the Shakespeare version, Isabel is faced with a moral = dilemma,=94 said=20 Jacobs. =93Do you save your brother=92s life by sleeping with the = authority. . .or=20 do you remain chaste and virtuous. . .[doing] what is morally good? This = is the=20 problem she faces. [In this production] the decisions she has to make = are just a=20 little more difficult because of this racial aspect.=94=20

Angelo struggles, wondering how he, a racist, came to find himself = lusting=20 after a black woman.=20

Adapting the play to the apartheid setting allows for modern issues = to be=20 portrayed through the nearly 400 year-old script.=20

=93I really like the fact that it=92s been adapted in this = setting,=94 said Per=20 Janson =9203 who plays Angelo. =93The. . .setting that Chris has chosen = was=20 [selected] specifically to address some problems of the play.=94=20

In the play there is emphasis on the efforts made by the people of = South=20 Africa to implement change. There is evidence of protestation. In this = version=20 of the play there is evidence of genuine effort toward changing the = system.=20

=93One thing that I like that=92s changed (in the play) is that = it=92s not simply=20 the duke handing over the keys to the country,=94 said Janson. =93It=92s = more=20 historically accurate. It=92s a people=92s change that led to this = movement. I. .=20 .wish that showed up more, but the script doesn=92t allow for it.=94=20

One form of the people=92s movement used in the show is music. Jacobs = highlights the poignancy of one of the songs, the national anthem of = South=20 Africa, typically known as The Anthem of Africa.=20

=93It was a song sung in all the struggles in a lot of African = countries,=94 said=20 Jacobs. =93It was banned in South Africa. If you were caught singing it. = . .you=20 could go to jail. Chris tries to make us aware of that fact. There are = so many=20 thing in this play that [if] we had done it 15 years ago, we would all = have been=20 in jail. . . Singing the songs, having a multiracial cast, challenging = the law=20 and the system. . . All of these things were big =91no-no=92s.=92=94=20

Janson, too, sees the poignancy of the music. =93[The anthem] sets = the stage in=20 a way and certainly it contributes a great deal emotionally.=94=20

Racial division

=93In many ways the production is about diversity and the need for = equality,=94=20 said Connelly. =93That=92s not what Shakespeare is about, but that=92s = what this is=20 about.=94=20

Ironically, in order to make this point Connelly had to refrain from = his=20 custom of =93color-blind casting.=94=20

=93For this show it really, really mattered,=94 Connelly said. Isabel = and Claudio=20 had to be black; Angelo and the Duke had to be white. Connelly had=20 specifications for each character. While that could have been very=20 controversial, Connelly says that it worked out well.=20

=93I did not encounter any sort of resentment,=94 said Connelly. = =93The people in=20 the cast have been very enthusiastic about doing this.=94=20

Thankfully, the theater department had a diverse group to draw from. = When=20 Connelly first arrived four years ago there was a lot less diversity in = the=20 department.=20

Cast member Joseph Oppong =9203 remembers back to when he first = participated in=20 a show at Grinnell. =93In that first show there were just two black = people,=94 he=20 said. =93I think Chris has made a lot of effort to bring diversity to = the=20 theater.=94=20

Connelly, too, is grateful for the increased diversity in the = department. The=20 racial diversity in Measure for Measure, however, portrays the problems = facing=20 South Africa during the apartheid regime. The racial divisions within = the cast=20 are evident in several ways. Costumes set the two groups apart. The = white cast=20 members dress professionally in grays and whites. The black cast members = don=20 colorful costumes. Jacobs describes the juxtaposition as =93black versus = white;=20 struggle versus sterility.=94=20

The set, too, is divided right down the center. One side, the = =93white=94 side,=20 is just that=97white. The other half of the set is covered in graffiti = reading=20 =93Now is the time!=94 and =93Freedom!=94 and =93Viva, Mandela!=94 in = Xhosa (pronounced=20 kosa), the native language of South Africa. These phrases capture the = feelings=20 of protest portrayed in the play.=20

The objective=20

Apartheid laws have since been abolished. So why perform a play set = during=20 the apartheid regime if it is over? Connelly and the cast members = emphasize that=20 while the apartheid has been abolished, the issues and dangerous = attitudes of=20 apartheid still exist.=20

=93It is important to understand that issues of racism, oppression, = and=20 injustice still exist,=94 said Oppong. =93If this show changes even one = person=92s=20 life I believe this production would have been a success.=94=20

=93There are still diversity issues. . .there are still differences = between=20 people,=94 said Jacobs. =93As long as the human race exists you are = going to have=20 these differences. For me at least, apartheid has not died. . .it=92s = still=20 enshrined in the mentality of the people.=94=20

Connelly hopes to bring these issues to the attention of the = audience. =93It=92d=20 be great if we lived in a world where plays about racism weren=92t = relevant,=94 he=20 said, =93but we don=92t live in that world.=94=20

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